Exhibitions/Projects > "The Lost Alphabet, Pants That Fit, and Other Implausible Disguises," 2011

Tight Linen Suit
acrylic on linen over steel and wood
95” x 32” x 28”
2011
Tight Linen Suit (detail)
acrylic on linen over steel and wood
95” x 32” x 28”
2011
Tight Linen Suit (detail)
acrylic on linen over steel and wood
95” x 32” x 28”
2011
The Lost Alphabet
acrylic, clay on canvas on panel
14" x 11" each panel, 26 panels
2011
The Lost Alphabet (panels 1-4)
acrylic, clay on canvas on panel
14" x 11" each panel
2011
The Lost Alphabet (panels 5-8)
acrylic, clay on canvas on panel
14" x 11" each panel
2011
The Lost Alphabet (panels 9-12)
acrylic, clay on canvas on panel
14" x 11" each panel
2011
The Lost Alphabet (panels 13-16)
acrylic, clay on canvas on panel
14" x 11" each panel
2011
The Lost Alphabet (panels 17-20)
acrylic, clay on canvas on panel
14" x 11" each panel
2011
The Lost Alphabet (panels 21-24)
acrylic, clay on canvas on panel
14" x 11" each panel
2011
The Lost Alphabet (panels 25-26)
acrylic, clay on canvas on panel
14" x 11" each panel
2011
Yellow Dress
acrylic on metallized steel, clay
70” x 23” x 17”
2011
Yellow Dress
acrylic on metallized steel, clay
70” x 23” x 17”
2011
Yellow Dress (detail)
acrylic on metallized steel, clay
70” x 23” x 17”
2011
Masquerade
acrylic on metallized steel
120” x 120” x 48”
2011
LADYPANTSS!!
enamel on metallized steeL
74” x 48” x 24”
2011
LADYPANTSS!!
enamel on metallized steeL
74” x 48” x 24”
2011
Mask 7 (Naked)
acrylic, clay on canvas on panel
60" x 48"
2011
Mask 7 (Naked), detail
acrylic, clay on canvas on panel
60" x 48"
2011
Mask 1 (Clown)
acrylic, clay on canvas on panel
24" x 18"
2011
Mask 1 (Clown), detail
acrylic, clay on canvas on panel
24" x 18"
2011
Mask 3 (Dirty)
acrylic, clay on canvas on panel
48" x 36"
2011
Mask 3 (Dirty), detail
acrylic, clay on canvas on panel
48” x 36”
2011
Mask 4 (Primitive)
acrylic, clay on canvas on panel
24" x 18"
2011
Mask 6 (Hot Mess)
acrylic, clay on canvas on panel
30" x 24"
2011
Mask 6 (Hot Mess), detail
acrylic, clay on canvas on panel
30" x 24"
2011
Mask 5 (Ghost),
acrylic, clay on canvas on panel
24" x 18"
2011
Mask 5 (Ghost), detail
acrylic, clay on canvas on panel
24" x 18"
2011
Mask 2 (Professional)
acrylic, clay on canvas on panel
24" x 18"
2011
Pants That Fit 1
acrylic and fabric on canvas
48" x 36"
2011
Pants That Fit 2
acrylic and fabric on canvas
48" x 36"
2011
Before the Alphabet
acrylic on canvas on panel
48" x 36"
2011

Human Resources, Los Angeles, CA

Press Release

In her new body of work, Larkey continues to investigate the boundaries between the self and the world, by looking at the ways the individual is both hidden and revealed through representation in language and clothing. Including painting and sculpture, the new works incorporate flatness and volume, painted gestures and printed patterns, symbolic language and raw materiality, and evoke a bodily presence while remaining within abstraction. The variety of works in the exhibition - ranging from large sculpture to small painting - actively engage the viewer within the architecture of the exhibition space.

In making welded metal sculpture, Larkey responds to a tradition of modernist male sculptors, from Anthony Caro and Tony Smith to lesser known figures such as Julio Gonzalez and Jorge Oteiza. The sculptures reveal hidden subjects: phrases broken down into fragments of language, and dress patterns made into armor-like edifices. By injecting familiar, everyday content into this tradition of abstraction, Larkey provides a slippage between looking, reading, and wearing - evoking and questioning the different ways that one interacts with an object in the world.

Similarly, in the paintings, what seems to be a straightforwardly painted surface reveals itself to be layers of raw canvas, fabric, clay fragments, and paint. For “The Lost Alphabet,” Larkey imagines an alternative to the basic elements of language, suggesting that the world is not as fixed as it might seem, and that new modes of communication are possible. In the series “Masks,” each painting contains within it an abstracted face; the paint becomes a kind of make-up, and the painted surface becomes a series of false fronts. Using different materials and techniques to extract both solid forms and subtle gestures, the paintings confuse negative and positive space, yielding lyrical shifts between the covering and the covered-up.

Molly Larkey (b. 1971, Los Angeles) lives and works in Los Angeles, CA. She received a MFA from Rutgers University, New Jersey and a BA from Columbia University, New York. Her work has been featured in exhibitions at PS1 Moma, New York; The Saatchi Gallery, London; The Drawing Center, New York; Horton Gallery, New York; Samson Projects, Boston; Bobbie Greenfield Gallery, Santa Monica; Ochi Gallery, Ketchum; among others. She is the founder of Statler Waldorf Gallery, an alternative art space, which she runs from her home in Echo Park